Why I Photograph Close up To Get The Images You’ll Love
Castleknock Hotel Wedding - Fujifilm XT-5 + Xf 18mm 1.4
There is a famous quote in the photography world - “If you’re photos aren’t good enough you’re not close enough” by the legendary and often mythologised war photographer and founder of Magnum Photo Agency - Robert Capa
When I first picked up a camera I always wanted my images to be about something instead of just something. When starting out I would photograph landscapes, you know churches, ruins, Poolbeg (if you don’t know Poolbeg is the famous red and white chimney stacks located on the south side of Dublin City). But this didn’t or couldn’t hold my attention cos it’s not what drove me. As a documentary Cavan wedding photographer I quickly realised why that didn’t hit me as a creative the way I wanted it to. I wanted to be know for something more, to give people something they could cherish to leave something behind and in those first few weddings I felt I was always holding back, like I was shooting the wedding from the outside. Now my coupes loved their photos and I did a good job but I wanted more from me as a photographer and I think that comes deep from my childhood more likely my teenage years into my 20s when I just wanted more from my life. My expectation of myself is always so high and sometimes Kerri (my better half) has to be the voice of reason for me, but for me I always have to be better not only for me but for my couples the ones who put their trust in me.
Dublin City Hall Wedding - XT-3 +Xf 18mm 1.4
My favourite lens I’ve owned as a documentary wedding photographer is the fujifilm Xf 18mm 1.4. This lens changed everything for me. It’s the equivalent of a 28mm focal length in full frame terms and to the non photography folk thats kinda like the 1.2x on your iPhone. So why 28mm ? This lens made me realised I needed to get closer to my subjects to be able to make people feel like they were back there at the moment of the photo, to get more of the story in the frame but also allowing me to crop if I needed to. whats out of the frame is sometimes as important as whats in the frame. As my mentor Phil Salisbury says crop it until you think you’re right and crop it some more. If you want to see more how I approach your wedding day then click here. The couples I tend to attract are people who love photos but hate posing. Fun Couples who want to do things differently like Suzanne & Ross’ crazy fun wedding in The Medley in Dublin on new years eve. For couples that look for timeless, moment driven photos that can be passed down to future generations.
Shoot How It Feels, Not How It Looks
This is so important to me as a Cavan wedding photographer. That myself and my couples are on the same page. If you want me to have you posed in every nook and cranny in your wedding venue you then I might not be the photographer for you. Now don’t get me wrong I will do some portraits I’ll always take my couples on a wander around the venue just a quick 10-15min break from the chaos but what want for my couples is for the in between moments to become their new favourite memories. That’s what drives me thats what I want my wedding photography remembered for.
Marlfield House Wedding - Fujifilm XT-5 + Xf 18mm 1.4
Like this tender moment between between Megan and her mom in one room and her sister Amy getting her make-up done in the adjacent room. for context as a wexford wedding photographer I’m backed right up against the wall in the hallway with the two rooms split by the door frame. Patiently waiting for things to line up and sometimes thats all you need to do as a moment driven photographer is to wait and let it unfold in front of you and thankfully thats what happened here. It doesn’t always pan out but thats ok the more you do this the more you'll see the moments that your couples will come to love. thank you for reading this far and enjoy a few more images
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